In addition to the selected articles below, more information about Las Madres can be found at:
Youtube, http://www.youtube.com/watch?v=H3eYDo3L5a4, 6/07, “Las Madres Project Video”
KXCI 91.3 FM, Broad Perspectives, 12/07 "Las Madres reads found letters."
Audio recorded by www.earthtribetv.org Listen now!
The Wall Street Journal, Desert Castaways Get Second Life in Art Exhibition; Cactus Needles in a Mitten,” 1/2008
http://online.wsj.com/public/
article_print/SB120051160436595209.html
Hispanic News http://hispanic7.com/transforming_tragedy_into_art.htm
Tucson Weekly, 12/07, "Dislocation and Separation,"
http://www.tucsonweekly.com/gbase/Arts/Content?oid=oid:104238
KOLD News 13 Exclusive, 11/07, "An Inside Look at the Migrant Journey; Art or Evidence,""
http://www.kold.com/Global/story.asp?S=7431827
Sculptural Pursuit, Winter Edition 2007, "Valarie James and Las Madres Project; Putting a Human Face on the Plight of Migrants,"
http://www.sculpturalpursuit.com/
Arizona Daily Star, 10/07, "Art made of Entrants' Discards; Exhibit gives visible form to crossers' secret journeys,"
http://www.azstarnet.com/allheadlines/208737.php
Censored, 9/07, "Finding Spirit, Living Compassion, Migrant Shrine at Southside,"
http://bsnorrell.blogspot.com/2007_09_01_archive.html
Somos Primos, Society of Hispanic Historical & Ancestral Research, 6/07 “Heirlooms in the Sand,” http://www.somosprimos.com/sp2007/spjun07/spjun07.htm
'Las Madres' Artist Honors All Mothers Through Her Own, 5/07, Mike Touzeau, Special to the Green Valley News
Tubac Villager, 4/07, “Turning Tragedy into Art” “Las Madres”
KXCI 91.3 FM, Broad Perspective, 4/07
Listen Now!
Book Women, Minnesota Women’s Press, 4-5/07
CBS KOLD NEWS, Tucson, AZ, 6/06, “Artwork Honors Illegal Immigrant Plight”
El Imparcial Internacional, Mexico, 4/06, “Despojos De Inmigrantes; Convertidos En Obras De Arte”
Canal 13 CBS KOLD-TV, Ayer Hoy Manana, Tucson, AZ, 3/06, “Las Madres Project”
The Connection, “Of Art & Altars”
The Tucson Citizen, AZ 9/05: “Giving Illegal Immigrants a Voice”
Many of the items were once held by mothers who crossed the parched desert in search of a bountiful life:
The discoveries are many and varied. But they hold a common bond for James, a mixed-media artist. "These would be secrets lost in the desert," she said.

Artist Valarie James combines man-made and natural elements into
her pieces, drawing on the saga of illegal border crossers struggling
across the desert.
The desert holds the secrets and truths of undocumented immigrants who have successfully or unsuccessfully crossed it. But there are few people or ways to tell their hidden narratives.
James does.
She collects some of the border crossers' abandoned belongings, takes them inside her studio and gives them meaning. Along with several other committed artists, James transforms the lifeless objects into pieces of art that speak to her convictions and give voice to people whose identities have been lost.
"If these clothes are not found and brought in, we wouldn't know these people existed," James said.
For the past several years, James has turned her artistic energies toward honoring las madres del desierto, the mothers of the desert.
Incorporating man-made and natural materials found around her home, James creates mother figures. Their stillness hints of the women's living faith and dreams.
Closed eyes.
Crossed arms.
Contemplative faces.
James takes denim jeans punctured by spiney ocotillos and sharp rocks, and cotton clothing containing the wearer's desert saga of blood, sweat and dirt.
The clothing is shredded and turned into a pulp. It is shaped and formed, and held together with natural elements such as prickly pear mucilage, bees-wax, arroyo sand and dark mesquite sap called chucata.
In late 2005 three life-size figures were placed at Pima Community College's East Campus. The installation art is called "Las Madres: No Más Lágrimas, The Mothers: No More Tears."
James' fellow artists include Antonia Gallegos, Cesar Lopez and Deborah McCullough.
Like the real-life defenseless mothers who disappear in Southern Arizona's harsh elements, the unprotected stationary madres are disintegrating from exposure to sun and heat, cold and rain.
James said the items recovered in the desert and the resulting art works challenge her to confront the reality of transborder women who make life-enhancing or life-ending decisions to cross the border on foot.
Las madres are forced to leave their homes because of economic forces that bring poverty and frustration. Yet these same global economic changes are the magnets that attract them to the dangerous journey north.
James grew up in a military family and lived in Puerto Rico, England and Alaska. She worked as an artist in Northern California before moving to the Amado area four years ago.
Three years ago she created an exhibition on her property called the santuario, a shrine to border crossers. It continues to grow with the wide assortment of personal items left behind.
Currently James and fellow artists are creating a new series of madres. They are sculpted upper torsos of women with their hands crossing their chests. Each will be a different color and texture.
There is a sense of urgency and purpose to James and her work.
Las madres are dying in the desert and James wants people to see the despair in their faces.
"This is part of our living history," she said.
Three female sculptures on Pima Community College's East campus begin to melt at sunrise each day.
The visual effect is that the sculptures - "mothers," as they are called - are sweating and crying.
"With the heat, they're beginning to show wear and tear, just like human beings do in the elements. They're beginning to communicate," said artist and creator Valarie James.
The life-sized sculptures represent Mexican and Latin American mothers who stay behind when their children and husbands cross the U.S.-Mexico border, she said.
The figures are part of a project on display at PCC since last winter called "Las Madres; No Mas Lagrimas" - "no more tears," as the title says, yet they are "weeping," James said.
"There are all of these hidden narratives - stories we will never know," she said.
And it's happening at the onset of the deadliest time for illegal immigrants crossing the border.
James collaborated on the pieces with fellow artists Antonia Gallegos, Debbie McCullough and Cesar Lopez.
The group used pieces of jeans, khaki pants, burlap, yucca and mesquite found in the desert between Amado and Arivaca to make the mothers.
They then painted or dipped the pieces into a natural biopolymer sealant made from natural resin and beeswax.
Then, the "mothers" were installed as part of PCC's Sculpture on Campus program.
Each morning, the sun causes their natural fluids to seep to the surface, as designed.
Late last month, the burlap-based "mother" collected so much moisture around her eyes that she appeared to cry.
For James, the weeping carries spiritual meaning.
"These sculptures are echoing the reality of the pain and the loss that mothers feel when their children and their husbands are gone, crossing the desert," James said. "It's the transcendent nature of art. This project goes beyond the politics of the issue."
The mothers are quite popular on PCC's East campus, 8181 E. Irvington Road, said Mike Stack, the PCC art faculty member who started Sculpture on Campus.
"Everyone is involved in the issues by living in southern Arizona," Stack said. "We run into the issues surrounding the piece."
It is a positive piece, he noted.
"It challenges an individual but, aesthetically, any individual can embrace the piece," Stack said. "It shows a very human side."